« Riai | Main | Changes »

It's Just Like Magic

"It's just like magic," winked Goto Sensei, in the middle of explaining how to make a simple Kokyu-ho work from a katate-dori, one-handed wrist grab. We had been struggling.

The technique involves stepping in beside uke while keeping the grabbed hand extended, sort of like Tai No Henko, except the feet are reversed for Kokyu-Ho instead. Then nage raises the grabbed hand and strikes through uke to execute the throw. Our trouble was that we were, as usual, just throwing with the arm, and this results in forcing the throw. Either uke gets whacked in the face, or clotheslined across the chest by the swinging arm. Neither of these outcomes is conducive to a lasting peace.


Kokyuhostart0
Kokyuhobadthrow0
Kokyuhogoodthrow0Goto Sensei was telling us that extending and raising the grabbed hand is only the visible part of the technique, and that much of the function of this hand is for misdirection while something else more important takes place. Very sneaky.

He said, "a great magician is someone who does a trick, you know what he is doing, and you still can't see it." In this technique, he continued, the raising hand captures uke's attention while the hip and shoulder sneak in right next to uke's body. That's the tricky part. So that when the hand is ready to strike through for the throw uke's body has already been unbalanced by the surreptitious hip and shoulder adjustment. When it's happening right, Goto Sensei said, the hand is extending and raising while the hip is moving back into uke's body. This conforms nicely with the basic Aikido strategy of moving in opposite directions at the same time.

In the picture series, Goto Sensei shows first the beginning posture after the turn, but before the throw. In the next photo he shows how an improper arm-only throw leaves space where the hip hasn't moved in. Finally he shows the same posture but the hip has moved in while uke was kept occupied by the raising hand. Both nage's and uke's whole bodies have moved instead of just the upper bodies, and uke becomes light.

We tried it out, extending and raising the grabbed hand while snugging the hip up alongside uke's body. Voila. Folding uke. Of course, done properly, it's all one movement instead of the herky-jerky, stop-start method we used to make sure we were doing all the parts. But eventually we'll be able to do the sleight-of-hip thing and people will wonder how come uke fell down.

technorati tag

TrackBack

TrackBack URL for this entry:
http://www.typepad.com/services/trackback/6a00d83458343669e200d83459cddc69e2

Listed below are links to weblogs that reference It's Just Like Magic:

» Just like that from Drawing Breath
[Glimmerscape](http://glimmer.blogs.com/glimmerscape/) has a [nice article](http://glimmer.blogs.com/glimmerscape/2005/10/its_just_like_m.html) on Kokyu-ho (breath exercise, or breath throw) from katate-dori (one-handed wrist grab). The concept of misd... [Read More]

Comments

Verify your Comment

Previewing your Comment

This is only a preview. Your comment has not yet been posted.

Working...
Your comment could not be posted. Error type:
Your comment has been posted. Post another comment

The letters and numbers you entered did not match the image. Please try again.

As a final step before posting your comment, enter the letters and numbers you see in the image below. This prevents automated programs from posting comments.

Having trouble reading this image? View an alternate.

Working...

Post a comment

Aikido Quotes


  • O-Sensei: My students think I don't lose my center. That is not so; I simply recognize it sooner and get back faster.

  • Morihiro Saito Sensei: Aikido is generally believed to represent circular movements. Contrary to such belief, however, Aikido, in its true KI form, is a fierce art piercing straight through the center of opposition.

  • Furuya Sensei on Swordsmanship: Letting go of the idea of “sword” and the idea of “action” is the meaning behind “willow in the gentle breeze.” When the slight summer breeze blows, does the willow follow the “nature of the willow,” or does it follow the “nature of the breeze?” Please think about this - in this lies the essence of sword technique.