Hoa Newens Sensei extended his wrists to me as we sat in seiza, facing each other. We had paired off to do "kokyu dosa," the closing technique in Goto Sensei's class at the 2004 Memorial Day Gashuku at Lake Tahoe.
I grabbed his small wrists and he became animated as though by some upwelling force expressing itself through his body and into mine. He moved smoothly, opening like some kind of carnivorous flowering plant, enticing me all along to move with him into the trap.
Ever since that time I have tried to create that same feeling for my ukes during kokyu dosa. Of course if you move jerkily, or too fast, or too soon, the spell is broken and you lose the magic.
Newens Sensei is one of the most thorough and precise teachers of Saito Sensei's weapons curriculum, or buki waza, that I know of. The buki waza is a tremendously important category of training. It generates kokyu power, and it expresses the deep parallel, or Riai, that relates the weapons practices with the empty-handed techniques.
However important, Saito Sensei's buki waza curriculum has not been thoroughly captured and presented in books or videos. This is in part because there is so much material on so many levels, and because the practices are always changing. I remember Pat Hendricks Sensei explaining to us at the 2002 Saito Memorial Seminar, "practices go in and out of fashion; old ways evolve into new ways, and then sometimes the old ways come back."
Recently, thanks to Newens Sensei, a new, more thorough and structured demonstration of the buki waza curriculum is available in his two-DVD set, Aikido Curricuulum: Vol 1 & 2, Aiki Ken and Aiki Jo. This set is not inexpensive at $48 per DVD, but for Aikidoka who want a training guide to buki waza its thoroughness and clarity make it a highly valuable asset.
Until now the most incompletely documented of Saito Sensei's weapons forms has been the Ken Tai Jo, jo on sword paired awase. Bits and pieces of these awase do exist in circulation in the US and especially in Europe, but a structured presentation of the 7 basic awase, with standard henkas, has been completely missing.
Newens Sensei fills this void with a very detailed and easy to follow demonstration of the ken tai jo awase, in the order shown by Saito Sensei during his late 1990's seminars in Rome and Berlin.
Another exotic set of practices, the 13 no jo paired awase, are included on Newens Sensei's Jo DVD. He presents the discontinuous single-move awase that Saito Sensei taught during the 1990s, and he adds a continuous version of the 13 awase that seems to capture nicely the spirit of the solo kata. I have seen various attempts to make the 13 jo awase continuous, and this one looks the most in line with the spirit of Iwama Dojo weapons practices.
In the DVDs Newens Sensei seems more interested in organizing and preserving Saito Sensei's curriculum than in expressing his own Aikido. So, to get a feel of Newens Sensei's Aikido you'll probably have to visit his dojo in Davis, California, or be lucky as I was to pair off with him at a Gashuku or seminar. I promise, it's something you won't forget.
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I'd love to get my hands on those DVDs at least to check them out. I'm really looking forward to bukiwaza every morning in Iwama over the summer!
I'm hoping to raise enough money in the next month to get a flight out to California for the Tahoe Gashuku in May. Are you going this year?
Posted by: Bryan | March 14, 2005 at 05:37 PM
Admonish your friends privately, but praise them openly.
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In this indifferent world, where people become more and more estranged, it's really nice feeling to be that someone you miss and worry about!
Posted by: Coach Footwear | February 23, 2011 at 05:15 PM
Looks lovely etsdjued! As much as I like Santouka I always felt there wasn't enough differentiation between the ramens offered and I'd go through phases of feeling bored of their flavor. I hope this trend of limited editions keep up! But then again it doesn't help me if they don't serve it in SD.. :_(
Posted by: Rehan | April 25, 2012 at 08:04 AM
it better ;)patience. that's the best word to drbseice your project. i know that Steve Caddy was referring to our patience, as followers of your work, but i think it's YOUR patience that should be recognized. you have completely immersed yourself in your subject, and it shows. your pictures feel true, not rushed by a looming filing deadline.i just wanted to let you know that your submission has paid off. this stuff is gold.-david
Posted by: James | April 25, 2012 at 04:04 PM
I will admit, some of those moves looked like they would not do so well in a real world suioatitn. BUT the rest, the slams, throws etc. Those could all work very well. Effectively slamming a guy onto hard concrete, and see how fast he gets up after you.
Posted by: Poe | April 27, 2012 at 07:30 PM